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It represents a fusion of Mozarts work with the sounds, rhythms and instruments typical of contemporary Egyptian music.The 2 albums saw considerable success in continental Europe, especially France.It represents a fusion of Mozarts work with the sounds, rhythms and instruments typical of contemporary Egyptian music.The 2 albums saw considerable succe read more.Please enable JavaScript in your browser to use the site fully.
First he gave us Lambarena: Bach to Africa, which, in tribute to Albert Schweitzer, combined the religious music of J.S. Bach with the music of the Gabonese peoples of Africa. On Mozart lgyptien, Courson unites the (mostly secular) music of W.A. Mozart with the traditional music of Egypt. It helps that Egyptian music has the complexity and emotional depth necessary to stand up to Mozart. G minor is matched to one of the Middle Easts most famous melodies, Lama Bada Yatathenna. Arabic music that leads, as if by magic, to the piano theme, which it weaves in and out of. This piece, like the others on the album, was arranged by Courson along with the Bulgarian musician Teg and the Egyptian Nasredine Dalil. It is possible to listen to this piece and hear a sort of music that has never existed in any country but that of the imagination.
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